Album/Single Review - The Ginger Quiff

Album Club – debut album review

May 15, 2022 By neilho27@sky.com

The first rule of Album Club is…talk about Album Club. Tell all your friends. Shout it from the rooftops if you must. Just make sure as many people as you can muster listen to these songs

The L word had a lot to answer for. Maybe though, this album is something good that came out of it. This was never meant to be a band, as the name suggests, Album Club started as a group of friends, from the music and arts, congregating in the Laurieston Bar to talk about albums (funnily enough!)

When COVID took hold, it put a stop to their monthly meetings and the friends, including Michael from Zoey Van Goey and Emma & Paul from Delgados, started sending each other pieces of music and lyrics they had been working on.… Read the rest

Marianne Dissard – Rappel – album review

May 4, 2022 By neilho27@sky.com

Marianne Dissard’s collection of cover versions recorded in 2020/21 during lockdown, in conjunction with Raphael Mann, and featuring a smorgasbord of talented musicians playing across this extraordinary collection of songs, finally gets a well deserved release as a truly coherent album.

Rappel (which translates as Reminder) is just one of the many projects from the French born multi-talented chanteuse, who now resides in the Dear Green Place, in a career which has seen her take on the role of singer, songwriter, author, film-maker and photographer. Not one to let the grass grow under her feet, despite residing in Glasgow for a relatively short time, Marianne is already in the throes of arranging a photography project/exhibition revolving around the Clyde.… Read the rest

tAngerinecAt – Glass – album review

April 29, 2022 By neilho27@sky.com

The latest album, Glass, from tAngerinecAt, the Welsh based Ukranian/English duo of Eugene Purpurovsky and Paul Chilton, is an extraordinarily mesmerising work of unadulterated alluring charm. Their extraordinary music is as engaging and beautiful as it is dark and undefinable.

Having formed in Ukraine, where non-binary Eugene, to put it mildly, had a dark and traumatic childhood and upbringing and where Cheshire born Paul (also non-binary) lived for 18 years. Follow the link below to the band’s website to read more about their roots and previous recordings.

This new album Glass is both simultaneously an unnerving and difficult but thoroughly captivating and uplifting listen, a fact that is borne out of by description of the album provided by the band, which I couldn’t put any better “”Glass” is based around Eugene’s personal experiences as a neurodivergent person, severe trauma, acute poverty and Chornobyl disaster survivor, and a queer multiethnic refugee activist from Ukraine.”… Read the rest

Bob Vylan – The Price of Life – album review

April 28, 2022 By neilho27@sky.com

Fresh of the presses, the new long player from the band that keeps punk relevant into the 21st Century and beyond picks up the baton passed on from We Live Here and runs full tilt with it, leaving those punks stuck in a rut around 1982 wallowing in their own self pity.

The seamless handover is evident in the coherence between the two albums, with The Price of Life allowing Bobby & Bobbie to continue to vent their legitimate anger at lying politicians, meathead racists, right wing gammons, lefty liberals and beyond… hitting each of them square on target with every knockout verbal punch aimed, no-one escaping in a full on aural assault on the current post-Brexit dystopian climate across this clusterfuck of nations, which in many ways has regressed further since the release of their hard hitting debut.… Read the rest

Run Into the Night – Common Stream of Consciousness – single review

April 28, 2022 By neilho27@sky.com

One of the Ginger Quiff’s “22 for ’22”, the revamped Run Into the Night release the first single recorded as the new 2 piece with Christina on guitar and vox and long term friend and collaborator Andrew (also of Powderkeg) on drums, with additional backing vox from Steven Young.

The result of their hard work is the addictively compelling Common Stream of Consciousness which will be available to purchase (or stream) tomorrow, and infiltrate your own consciousness, lodging itself firmly there and refusing to budge.

Hulking great dirty crunching riffs from Christina accompanied by a vigorous thunder of drums from Andrew herald the arrival of this deeply resonant rumbling growl of a tune.… Read the rest

DITZ – The Great Regression – album review

April 21, 2022 By neilho27@sky.com

The second great album of 2022 that I’ve picked up from Alcopop! Records so far. On the back of January’s superb release This is My World from Helen Love, comes the debut album from DITZ, in the shape of The Great Regression, an album title which is unerringly accurate for the dystopian post Brexit times we are currently living through.

Brooding

An entirely different beast from the Helen Love album, DITZ produce an unsettling blend of abrasive post punk, mixed with often vicious and seemingly threatening metal guitar grooves and riffs, nigh on industrial in places. Elsewhere the mood is much more brooding, on the likes of Instinct, with a low key vocal backed by an equally low key, but incessant guitar line, the song does, however, rise to a cacophonous clamouring finale.… Read the rest

James Domestic – Carrion Repeating – album review

April 20, 2022 By neilho27@sky.com

James Domestic (James Scott) isn’t one to rest on his laurels. The frontman of hardcore punk band, The Domestics, he has a list of other bands/side projects the length of your arm, Carrion Repeating is his first solo offering which he describes as “post-punk pop music for weirdos”.

Swagger

How would I describe this solo project? Let me try… To me the album lives in a place somewhere between the cockney geezer swagger of Ian Dury, living in a world of John Cooper Clarke observational poetry and all bundled up with a soundtrack like the coming together of The Fall and Sleaford Mods.… Read the rest

The Ones That Got Away… Punk Double Feature – The Pulsebeats & Year Zero

April 3, 2022 By neilho27@sky.com

A couple of first wave of punk influenced records here from The Pulsebeats & Year Zero, most definitely on the melodic end of the scale here, with The Pulsebeats verging on power pop, we’re talking Buzzcocks/The Vapors crossed with Husker Du territory here, with Year Zero continuing in the vein of energetic classic punk rock taking their lead from the usual suspects but putting their own spin on things with influences from throughout the decades.

Apologies to both bands as these were albums that were sent to me an age ago and ended up on my “to listen to and review” list for way too long, ending up getting lost amongst the chaos, a great shame and pity that I haven’t shared these before now as they are both exuberant collections of sing/dance/pogo along to punk anthems.… Read the rest

Walt Disco – Unlearning – album review

April 2, 2022 By neilho27@sky.com

I’m still buzzing after the Walt Disco gig in St. Lukes earlier this week, such was the beautiful exuberance of the band and the sheer joy that emanated from the stage. The band were genuinely having the time of their lives and are currently deservedly receiving great plaudits from far and wide. Their debut album album Unlearning cements the fact that these acclamations are warranted, its twelve spectacularly arresting songs should see the band hit the heights and continue to ride the crest of this colossal wave for some time to come.

Weightless

Weightless is a faultless and wholly appropriate album opener, a song that means a lot to the band and lyrically speaks of the strength of character it has taken to get where they are today, a song of discovery and acceptance.… Read the rest

The Ones That Got Away… Simon Bromide – Following the Moon – album review

March 24, 2022 By neilho27@sky.com

I have Joe Whyte to thank for introducing me to Simon Bromide. Following the Moon came out late last year, and despite not getting around to writing about it, I have been enjoying the lush and soothing laidback grooves from the Bromide frontman ever since. Bromide’s writing, both in terms of the musical arrangements and the storytelling in these nine songs has a calming influence allowing you to listen and disappear into your own cocoon, while the world around you could disintegrate without you giving it a second thought.

Can’t Put YourArms Around a Memory is an interesting reference point for the opening song The Waiting Room, as Bromide reflects on his past, of coming across his younger self in Leicester Square and giving some sage advice.… Read the rest