Weirdo. What a magnificently peculiar word. One of those words that sounds stranger the more you say it. Also, one of those words that is bandied about as an insult but more often than not can be worn as a badge of honour. Anyone that has had the word casually thrown at them (usually by tracksuit & baseball cap wearing identikit neds) because of the way they dress, the way they style their hair or the music they listen to will know what I mean. On this more-ish pop-tastic album Carla J Easton is claiming back the word for all the weirdos out there.… Read the rest
Category: Indie
Very Terry Edwards
I’m not sure where to start with this one, or should I say these ones, having received not one, but two Terry Edwards compilations weighing in at a mighty 80 tracks in total. Not only quite a phenomenal collection of tunes, but also a who’s who of just about every musical style you could list or comprehend.
The first, Very Terry Edwards is a career spanning collection of tracks celebrating the 60th birthday year of this most bountifully talented multi-instrumentalist, with a track for every year of his life. This is an extraordinarily effusive body of work, even more extraordinary when you see the list of some of the bands he has recorded with that don’t appear across this 3 disc set, stand up Siouxsie, Julian Cope, Madness, Tindersticks, Hot Chip and PJ Harvey.… Read the rest
Over the period of lockdown (and I admit even before that) I’ve been sent a variety of singles/songs/demos for my listening pleasure. Unfortunately, some don’t get past the delete button (not always because they are… well, you know) but because I’m overwhelmed and don’t have the headspace to deal with them.
Over the last couple of weeks when I was on holiday in between day trips (avoiding the crowds and sweating masses) and decorating, I filtered out some of them….
Katherine Aly – God Breed
Following up her previous singles, The Skin I’m Made of, Sunny Days and Misty Me, this time around the silkily angelic-voiced Katherine Aly serves up a slice of absorbing brooding electronica with her latest single, God Breed.… Read the rest
I have recently been expounding my love for a certain record label, the wonderful Tarbeach Records from Astoria, NY with links to home soil in Airdrie. Another of my favourite labels is altogether closer to home. Last Night From Glasgow, and its various offshoots Hive and Komponist have not let the grass grow under their feet during lockdown, with a seemingly endless supply of announcements and releases to delight and excite.
As I’ve recently reviewed two of the latest releases from Tarbeach It seems only fair that I balance this out and expound the virtues of Last Night From Glasgow too.… Read the rest
During lockdown, music is one of the things that is keeping many of us going, the postman has been busy delivering some fantastic new albums on CD and LP, but I’ve also been catching up on several cracking singles and EPs – both physical and online releases.
The following is a select few of the tracks and singles I’ve been enjoying, I’ve added them all to my Ginger Quiff 2020 Spotify playlist (if the’re on Spotify of course…) featuring bands and artists I’ve reviewed or featured on the blog or for Louder Than War this year.
Garlands
First Up and it is the sublime indie guitar heroes, Garlands, who have released two singles during the current lockdown period, The New Weird at the end of March and their new one Where Things Belong displaying their distinctive melodic alternative rock.… Read the rest
Haud the bus (or the train…)
Fuck me, where has this music been all my life…
I got that feeling today.
That one you get when you don’t really know much about a band, but you get their new album to listen to.
You have no expectations one way or the other.
You’ve been sent some info about the release, but you don’t read it.
You press play.
Then that feeling hits you.
That is how Humans of Late Capitalism, the new album by Natalie Pryce hit me.
Innocently standing on the platform at Cathcart station, I was waiting for the train to work, wondering how many more of these journey’s I’d be making before I’d be confined to barracks.… Read the rest
Loads of great singles blasting out in the Ginger Quiff towers just now. Where to start…
The Best Bad Influence
One of the hardest gigging bands on the scene just now are the phenomenally talented three-piece The Best Bad Influence. They seem to be ubiquitous currently. Every time I look on social media, I see them announcing more live dates. If someone were to ask me to name one band I want to be huge it is this pack of young wolves, so it gave me a huge rush to see that they hadn’t only announced more live dates recently but had dropped a new single.… Read the rest
First (maybe even last) in a random series of albums that got away. Ones from last year that I maybe didn’t get around to writing about or that for whatever reason never really got to listen to properly.
Bit of a double whammy this one – and it may, or may not, have something to do with both bands appearing on the same bill in Glasgow at Nice ‘n’ Sleazy this Saturday (1st February).
Outstandifold & the Wettygrippers
The unusually monikered Outstandifold followed up their last (and rather good) album Box with their (who would have guessed) fourth album. Go Fourth, sees them metaphorically do just that.… Read the rest
5 months, 5 albums
I’m playing catch up with a burgeoning inbox of new music, and in doing so I am too slow for prolific band Def Robot. As I prepare to write some words about their 4th album, Sabbatical, they have announced the release of their 5th album, Play This When We’re Gone next week.
Based on the album release rate by other bands you may be forgiven for thinking I am way behind with this one, but if I tell you that their first album was released on 24th of May, with the 5th due on 18th of October, you can maybe cut me some slack…
Filler or killer?
… Read the restI may recently have been less than complimentary about the latest Pixies album Beneath the Eyrie. I mean, it isn’t a bad album, it just kind of washed over me on the first few listens, it was undoubtedly Pixies, but just didn’t move me.
Sunday night, 22nd September, Glasgow O2 Academy was an altogether different beast. If you were there and you didn’t feel moved, you are possibly Ed from the opening track of the band’s epic set.
Epic
The set time was listed from 9pm until 10.45pm with a curfew of 11pm. Black Francis and Co pushed the timing to its outer limits, ending their set almost bang on 11pm and I don’t mean, leaving the stage and returning for encores.… Read the rest