I used to be a regular visitor to Tuts, but my visits now seem to be few and far between. I first ventured there when it was still called Saints and Sinners for a 40th birthday party, attended the opening night as King Tuts Wah Wah Hut (before half of last nights audience was born probably…) and I’ve been to some pretty special nights there over the years – Suede, Radiohead supporting Kingmaker, Scamheads (secret Skunk Anansie show), Trashcan Sinatras, Fatima Mansions…the list goes on. I’m what you could call a long in the tooth gig goer now, or just old, but that doesn’t mean I just go to gigs by what i hear called ”heritage” acts (who makes these things up?)… Read the rest
Category: Drunk Gods
Taking nothing away from the band or their deeply engrossing and engaging music, it is actually embarrassing that a band such as this needs to exist in 21st Century Britain. It’s almost like 1979 never happened and we’ve not learnt a thing. Rising interest rates, poverty, food bands, a summer of discontent, strikes left, right and centre, a Tory government that is doing its best to increase the gap between the rich and poor and to top that off a pair of clueless Thatcher-lite puppets who just seem to spend their time arguing about who will be the worst Prime Minster for the country.… Read the rest
No Guitars were Harmed in the Recording of this Album*
John Kenny is known for launching his guitar during a live performance… 2 Sevens launch their debut album Back on Track on an unsuspecting public today. I’ve witnessed pictures of his broken guitars and In a broken Britain (there is a slight irony on the album title given current circumstances) the album is a much needed tonic, its a lot of fun, one of these albums that you put on to blow the cobwebs away and just blast out some good old punk rock n roll.
With a name like they have, you can probably work out where their key influences come from, and without meaning any disrespect to the band, that is exactly what you get on Back on Track.… Read the rest
Sometimes things are worth the wait.
in a week where I personally had an intense release of pressure after finally delivering the pilot of a training programme that has been delayed for years not months due to COVID, Run Into the Night and Jemma Freeman and the Cosmic Something finally got to play their gig in Broadcast. And what a gig it was to, a celebration of all that is good about live music, a coming together of like minded souls, a common stream of consciousness if you like, basically, with an emphasis on having a good time.
We arrived too late to see the first support Fog Bandit, who appeared to have gone down well with the assembled throng.… Read the rest
I’m getting to that age now, many of the bands and artists I idolised as a young man are going the way of all flesh. Unfortunately many of them have been taken too young, Stuart Adamson, Bill MacKenzie, Joe Strummer, Prince…All of whom I’ve mourned in my own way, as many of us have. People that made music that had a massive impact on us, with songs that take us back to memorable times of our lives.
I’m not a young man anymore, so I was taken by surprise today just how hard I took the announcement of the death of the uniquely talented Cathal Coughlan, ex-frontman of Microdisney and Fatima Mansions, an artist who stood head and shoulders above his peers of the time, and one of those who you could say they broke the mould of when they made him.… Read the rest
The second great album of 2022 that I’ve picked up from Alcopop! Records so far. On the back of January’s superb release This is My World from Helen Love, comes the debut album from DITZ, in the shape of The Great Regression, an album title which is unerringly accurate for the dystopian post Brexit times we are currently living through.
Brooding
An entirely different beast from the Helen Love album, DITZ produce an unsettling blend of abrasive post punk, mixed with often vicious and seemingly threatening metal guitar grooves and riffs, nigh on industrial in places. Elsewhere the mood is much more brooding, on the likes of Instinct, with a low key vocal backed by an equally low key, but incessant guitar line, the song does, however, rise to a cacophonous clamouring finale.… Read the rest
James Domestic (James Scott) isn’t one to rest on his laurels. The frontman of hardcore punk band, The Domestics, he has a list of other bands/side projects the length of your arm, Carrion Repeating is his first solo offering which he describes as “post-punk pop music for weirdos”.
Swagger
How would I describe this solo project? Let me try… To me the album lives in a place somewhere between the cockney geezer swagger of Ian Dury, living in a world of John Cooper Clarke observational poetry and all bundled up with a soundtrack like the coming together of The Fall and Sleaford Mods.… Read the rest
Before you press play on any of these songs, I imagine you will have some idea of the style of music, Bela and the Lugosis – Vampire Kiss, screams 70s disco crossed with grime doesn’t it? I jest of course. If you are yearning for the days you wore only back, came out only in the hours of darkness with your pale complexion, eyeliner (or guyliner!) and black nail varnish, this album will have you re-living nights in the Tech. Actually, if that is still how you roll, this album is for you.
Of course, the band name recalls the gothest of all goth bands (cue debate from all the ”real” goths out there), the mighty Bauhaus.… Read the rest
This is a singles round up of mammoth proportions. I spent some time scrolling through the wealth of e-mails I received over the last few months, and other singles I’ve been particularly enjoying. 2021 has been a treasure trove of new music across so many genres. Even though this is my biggest singles round up of the year so far, it still only scratches the surface of what is going on just now…
…and then there are all the albums, just recently, over and above the ones I’ve already featured/reviewed I’ve been enjoying the new albums from The Media Whores, monsterpop, The Hurricanes, Jackal Trades, Mickey 9s, Jeshua and The Strays to name but a few.… Read the rest
Scars legendary guitarist returns following his adventures with Voicex for this arresting and eclectic collection of songs, collaborating across the miles (from Edinburgh to Barcelona, New York City to Rome and closer to home in England) none of the albums contributors met during the recording of the album during 2020 and ’21.
The songs and music are all written and played by the maestro himself while the vocals are shared between Leanne (LeeLoo) Greenman featuring on five of the nine songs, singing duties split equally on the remaining songs between Carrie Furniss and the enigmatically named James.
This album is clearly a labour of love from Paul.… Read the rest