If you like your humour a bit close to the bone you could do a lot worse than listen to the (so far) four Letters from Lockdown from the enigmatic Natalie Pryce. Increasingly darkly humorous bizarre snapshots of how some desperately odd and sinister characters are dealing with 2020.
While you’re at it check out their tremendous 2020 album Humans of Late Capitalism for some eerie futuristic space rock n roll. Definitely one of my albums of the year.
Straight out of the deep south comes the melody packed debut mini album from Lou Kyme. I should point out, the deep south I speak of is deepest darkest Southampton. However, you would be forgiven for thinking these seven radiant slices of Americana/country same straight out of the USA.
In fact, that isn’t so very far from the truth. Despite Lou’s English roots, and wealth of experience treading the boards with her dads’ band, the Okeh Wranglers, there are several American rootsy factors at play here. None more so than an appearance from legendary Green on Red axe man, and general guitar slinging legend Mr Chuck Prophet.… Read the rest
One of the advantages of membership of Last Night From Glasgow is getting your sticky mitts on the glorious recordings ahead of their release. As the date for the official launch of the latest album, Doubtlands, from the magnificent Mt Doubt approaches (18th September) this stirring collection of songs, which manages to be both darkly melancholic but at the same time upliftingly enriching, feels like it has been spinning on my turntable for years such is the welcoming radiance it exudes. A sound that feels like the missing link between the dark storytelling and deep velvety resonance of antipodean troubadour Nick Cave and the multifarious textures of Glasgow’s own Blue Nile and The Bathers.… Read the rest
Hailing from Cork, a breeding ground for such acts as Sultans of Ping FC, Microdisney/Fatima Mansions and Cyclefly, Emperor of Ice Cream is a band out of time. Their debut album has just been released. Some 28 years since the band formed back in 1992 and 25 years after they split having been dropped by their record label. This release should have been rubbing shoulders with releases from contemporaries from The Frank & Walters to Whipping Boy, A House to Into Paradise. Fast forward to the release in 2020 and instead they are rubbing shoulders with the likes of Fontaines DC and The Murder Capital.… Read the rest
I’ve started writing this blog several times and ended up deleting it every time. The reason? I was constantly doubting myself. Was I the right person to comment on the topic? Did I have a right to write about it? After all, I’m a white West of Scotland male, what do I know about being at the end of sharp end of racism?
Recently, the more time I spent on Facebook, the more time I spent feeling exasperated and incensed. Yes, I know Facebook isn’t the real world, and I should let it wash over me, but there seems to be an unabated increasing level of unsavoury types commenting on news stories or posting frankly exasperating statuses on social media.… Read the rest
Weirdo. What a magnificently peculiar word. One of those words that sounds stranger the more you say it. Also, one of those words that is bandied about as an insult but more often than not can be worn as a badge of honour. Anyone that has had the word casually thrown at them (usually by tracksuit & baseball cap wearing identikit neds) because of the way they dress, the way they style their hair or the music they listen to will know what I mean. On this more-ish pop-tastic album Carla J Easton is claiming back the word for all the weirdos out there.… Read the rest
Monster /ˈmɒnstə/ (noun)
a thing of extraordinary or daunting size.
Pop /pɒp/ (noun)
a light explosive sound.
“there were a few pops, perhaps from pistols”
(noun)
Commercial popular music. In particular accessible, tuneful music of a kind popular since the 1950s. Sometimes contrasted with rock, soul, or other forms of popular music.
Based on these definitions and to coin an old phrase. Monsterpop does exactly what it says on the tin. And I intentionally left in the example sentence used under the definition of pop.
The new EP (available now on Bandcamp) Another Dream amplifies the explosive pop sound to daunting proportions.… Read the rest
I’m not sure where to start with this one, or should I say these ones, having received not one, but two Terry Edwards compilations weighing in at a mighty 80 tracks in total. Not only quite a phenomenal collection of tunes, but also a who’s who of just about every musical style you could list or comprehend.
The first, Very Terry Edwards is a career spanning collection of tracks celebrating the 60th birthday year of this most bountifully talented multi-instrumentalist, with a track for every year of his life. This is an extraordinarily effusive body of work, even more extraordinary when you see the list of some of the bands he has recorded with that don’t appear across this 3 disc set, stand up Siouxsie, Julian Cope, Madness, Tindersticks, Hot Chip and PJ Harvey.… Read the rest
The most recent re-incarnation of the prowling post-punk outsiders Folk Devils recently revealed the lead track, their first new music for 33 years, from their forthcoming Forever EP. The full three track EP is due to be released on the 18th of September on 10” red vinyl and CD
Lead vocals are provided Dave Hodgson in the current line up following the death of Ian Lowery in 2001. A shimmering intro before Hodgson provides a sinisterly gruff and effects distorted drawl, atop a muscular guitar line underpinned by heavy bass, thunderous drums and crashing cymbals. The track rumbles along with a threatening undercurrent, “remember to smile and laugh at the jokes” Hodgson warns before spitting out the line “nothing lasts forever”.… Read the rest
Frontman for Chapter 11, Ty Murray had his album Treefort re-released on CD on Astoria, NY label Tarbeach Records last week. Two of his tracks have appeared previously on Tarbeach , with Monkey Don’t Care covering She Goes Her Own Way and the albums closing track, After My Time.
Thankfully (for someone who loves a vast range of musical styles and hates labels) it is hard to pigeonhole/label Ty. His music is good old straight up rock music. Sure, there are influences that can be heard here and there. Opening track Fallen Angel has a Start! rhythm running throughout. While the second track Re-Enactor has its roots somewhere in the world of reggae, mixing this with classic rock riffing.… Read the rest
