Awful Eyes, Oedipus and the Mamas Boys, Citizen Head & Vacant Pavements – live in King Tuts

All Photos courtesy of Dale Harvey

What should have been my third gig of 2026 turned out to be my first one, and it was a belter with four very different bands all ploughing their own furrow in their chosen genre, or indeed just by ploughing their own furrow full stop and in doing so defying pigeonholing…

The first band on the bill were a case in point, when I previously saw Vacant Pavements supporting Tanzana in McChuills I was late to the venue and only caught the last song of their set, which was more than enough to whet the appetite for more, I’m disappointed in myself that it’s taken until now to fix that.… Read the rest

Singles Round Up 2026 – January Pt 1

A couple of weeks into January and things are already bright in terms of new singles, with plenty of action from bands close to home, a cover from a forthcoming cover versions album and the return of a few indie legends… The first couple of songs in the first part of the January round up are from home grown talent both with French titles.

I’m surprised Fraser McCallum has time to write his own music given his status as sought after guitar for hire in the Scottish music scene, taking on the mantle of a young version of Douglas McIntyre… But indeed he has made the time and the resultant impassioned single where he takes on a persona of Serge Gainsbourg L’eau à les yeux is a masterstroke, a song that is so swathed with affecting pathos in it’s sound and delivery that it could easily be a Morrissey song, in a time and place where Morrissey songs were to be celebrated.… Read the rest

Count the Days Backs Against the Wall EP cover

The New Sound of Scotland – Count the Days – Backs Against the Wall – EP Review

The first feature for one of the bands appearing on the You Are Here – The New Sound of Scotland CD coming out shortly is an EP review for Count the Days and their debut Backs Against the Wall. This review comes on the eve of their headline performance as part of King Tuts New Years Revolution alongside Comfort Girl, Dalmatic & The Noise Club, a tasty line up if ever there was one.

The five track EP includes their 3 singles to date Above You, Springbank Road and Get Up! alongside new song Kings and Queens, and an acoustic version of Springbank Road.… Read the rest

Singles Round Up 2025 – Part 12 – December

Perhaps unsurprisingly, December was rather barren for new release singles, I say that in numbers alone as the quality of what I did hear was high, with one of December’s singles, from Falkirk’s Static sneaking into my top 100 singles of the year. The sum total of my December round up is 10 singles. It may have been me in not being as active on social media or missing some quality songs dropping into my inbox, but 10 it is and they were a cracking wee bunch to be fair…

The Just Joans followed up Here Come the Rugby Boys with Limpet, yet another gem from the band who have a knack for creating stylish kitchen sink vignettes of life and whose lyrical tales always take you on an emotional journey, whether that be humorous, melancholic or just pure joy, the dual-vocalled, brass infused Limpet is a heart-melting slice of unbridled love and joy.… Read the rest

The Ginger Quiff – Gigs of 2025

With the count coming in at 44 it was a poor showing on the gig front for 2025 for me, it was a clusterfuck of a year with a mixture of poor physical & mental health curtailing, with a certain irony given the dopamine boost live music brings, my gig going somewhat and also curtailing my writing. I probably missed just as many gigs I’d planned to attend as I actually attended, and among these missed events I’m sure would have been some guaranteed to be amongst the best of the year.

As it was, every gig played it’s part in making it a successful year of gig going despite the high number of missed dates…

The Second House Guest Festival in April alongside Tenement Trail in October were two obvious highlights of the gig going year giving the opportunity to see a whole host of bands who are all part of the reason the live music scene in Scotland is in such rude health, and they also sewed the seeds of an idea in my head that should be coming to fruition imminently despite a delay in the planned announcement…

Several bands had me return to see them time and again, each time proving their worth and playing cracking sets (equally there were bands I had tickets to see several times and didn’t make any of their gigs…).… Read the rest

Ex – – Imposter Syndrome – album review

On Know Your Rights The Clash handily provided their listeners with a “public service announcement with guitars.” 43 years on, and on their twentieth album/EP release to date, Imposter Syndrome, the prolific Ex- provide not so much a public service announcement but a social conscience with guitars. Taking nothing away from the rest of the band, the vitality and energy of whose playing provides the indispensable soundtrack to Imposter Syndrome, Meek’s lyrics here are as essential as ever and a crucial part in what makes Ex- stand head and shoulders above the majority of their peers. As someone who is as profuse in his writing as Meek, he never fails in managing to blend his creativity with a nail on head social commentary.… Read the rest

Slime City – National Record of Achievement – album review

Slime City have already reached legends in their own lunchtime status in their home city, the shitehole that is Glasgow, with their debut album Death Club so it was clearly time to go interstellar and conquer the rest of the music loving public. And what better way to do it than with the release of their new album, National Record of Achievement. I’m too fucking old to have experienced National Records of Achievement, but I’m willing to put my trust in Slime City (is that wise?) that they were a waste of time and energy, labelling them an utterly pointless exercise as they ascertain that nobody will ever ask to see it. … Read the rest

This Questionable Life – Sucker Punch – EP Review

This is the fifth EP from the band whose name unfortunately becomes more and more pertinent with each release, or may be that’s just me…

Anyway, however questionable things may be in the current dystopian times we are living through, there is always music to fall back on, giving a respite from reality, or that feeling that you’re not alone and there is hope for change. That’s the feeling from listening to this EP from This Questionable Life.

The hard-edged driving rhythm of the EP’s opening song, it’s title track, has a sense of R.E.M. in it’s melody, a punchy high-energy beat underlines some crunching riffs and sets the standard for the rest of the EP.… Read the rest

Miki Berenyi Trio & f.o. machete – Live in Sleazys

It was the last gig of 2025 for me, so what better way to bow out than in the company of one my favourite bands who also happened to be the purveyors of one of my albums of the year (a list which I’ve not even considered yet, and given that I missed a whole chunk of the year needs a bit of thought…) and also in the presence of a singer who I last saw in what I fear was as far back as 1994 in King Tuts if my memory serves with her first band Lush, so I was well overdue a re-acquaintance.… Read the rest

Water Machine/Maz and the Phantasms/Vibrator/Junk Pups – Live Review – Palestine Red Crescent Society Benefit

My third from last gig in 2025… in a year when I seem to have missed more gigs than I managed to get along to for a combination of reasons not worth going into here..Let’s just say I need to resolve to ensure 2026 is much of a shit storm than 2025…

There was the potential for me to be missing this one too, but with this line up, plus the knowledge that this would be the last ever outing for Junk Pups it was a no brainer to pull out all the stops and make it by hook or crook.… Read the rest