Cruz De Navajas

Cruz De Navajas – Dominacion – New Album

Next stop Mexico…

Thanks to my blog, I am making a virtual global journey. I’ve been introduced to alternative bands and music of the world. Over the last few months, as well as bands from the UK, Canada and the US, I been sent music from various parts of the world including Turkey’s Tunay Akendiz and Istanbul’s “Reptilians from Andromeda”.

This time it is off to Mexico and Cruz De Navajas (Cross of Knives) whose new album “Dominacion” is available now. The band are new to me but you may already be familiar with some of the tracks on the album from the bands Demo from the end of 2016 and the single “Imperialismo” from July 2017.(available… Read the rest

Voicex logo

Voicex – Waiting

Voicex – Waiting…

Following on from “Never”, the Scottish post-punk super-group (Scars, Boots for Dancing, Heavy Drapes) follow up with second offering “Waiting”.

It is a jangly indie-guitar masterpiece.

Shades of 60’s buzz pop/The Primitives in the intro, and capturing the spirit of many bands of the classic 80’s era in Weather Prophets, Shop Assistants and their ilk, with shades of Bunnymen thrown in to boot.

Don’t get me wrong though, Voicex have their own individual sound when you add Suky’s impassioned vocal to the mix. Listen for yourself:



I’ve been fortunate to hear a sneak preview of another track and if you like, nay, love the 2 tracks so far, you won’t be disappointed.… Read the rest

Drunk Gods

Drunk Gods are a 3 piece from Lanarkshire, Scotland. Having previously played together as Gobstopper, Ewan released the debut “Drunk Gods” album in 2014 and got the members of Gobstopper back together to play the songs live.

I recently caught up with Drunk Gods main man Ewan McGhee to talk about what motivated him to make and release Drunk Gods. I also wanted to find out what is next for Drunk Gods.

Drunk Gods Album

The first track on the album is “What’s Ma Motivation?”, so what is your motivation?

‘What’s Ma Motivation?’ Well, at the time when I was writing and recording the album, there was very little music around that I found exciting and provocative.

Read the rest