Scorpio Leisure Apology EP cover

Scorpio Leisure – Apology E.P. review

2024 is set to be a bumper year for releases by some of the Scottish music scene’s rising talents. Not satisfied with the release of their self titled debut album later in the year, Edinburgh based post-punk supergroup Scorpio Leisure release their 4 track EP, Apology this month, a treat for those who have a voracious appetite for the band’s music and need an amuse-bouche to keep them going ahead of the main course.

The band is the coming together of like-minded friends and musicians from a variety of bands past and present, representing a cross section of the alternative music scene, all throwing their individual styles and influences into the melting pot and resulting in the serving up of an unconventionally unique and luscious offering in their own inimitable style.… Read the rest

24 (and a bit) for ’24

When I started doing this little feature a few years ago, I didn’t consider having to add another to the list each year… but hey, there is plenty to look forward to already in 2024, new bands, older bands returning, albums, singles, re-releases and gigs. In no particular order, but starting with the earliest one in the calendar…

  1. Tina Sandwich and Sister Madds – Already having produced one of my favourite single sof both of the last 2 years, Tina Sandwich were part of the line up at my first gig of 2023 at King Tuts New Years Revolution. On 6th of January Tina’s back at the same venue but this time as headliner!
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Albums of the Year 2023

Before I list my favourite “Albums of the Year 2023”, an apology.

I have been inundated this year with new music, new albums, requests for reviews and features. First, I’m happy that there is so much great music out there and that I’m party to being able to hear and share that new music, but secondly, a huge apology to many bands and artists whose music I’ve loved and planned to review/feature but it hasn’t happened. I’d love nothing more than to spend my life listening to and writing about music (and the book I keep meaning to finish), but that doesn’t pay the bills.… Read the rest

Dancer As Well EP cover

Dancer – As Well – EP review

At the end of this week at La Chunky in Glasgow’s West End, the scene is set for what is to be one of the gig events of December when three band’s come together to play an exclusive gig to the lucky 40 punters who manage to secure a ticket. The three bands are, the oft-featured in these pages, Water Machine and Brenda, alongside Dancer, who recently released their latest 5 track EP, As Well.

Dancer is made up of members of bands such as Nightshift, Order of the Toad and Robert Sotelo: Gemma Fleet (Vocals), Chris Taylor (Guitar/Keytar). Andrew Doig (Bass) and Gavin Murdoch Drums) who, when they come together, make one glorious racket.… Read the rest

The Hedrons – Tired of Taking – album review

The Hedrons announced their return with a bang playing an energised set in SWG3 towards the end of last year to mark the re-release (& for the first time on vinyl) of their debut album, One More Won’t Kill Us on Past Night from Glasgow, with the promise of more to come. A few months later they teased us with the hotly anticipated rollicking rollercoaster that was their killer single Heartache, now the long awaited follow up to that impressive debut, Tired of Taking, is finally available on your chosen digital platform for your aural delectation. For sure this album proves the title of that debut, one more won’t kill them, damn right, it’ll only make them stronger.… Read the rest

His Lordship Live in Room 2

His Lordship – Room 2, Glasgow – live review

Entering Glasgow’s Room 2 for the second time in as many weeks, I had an overwhelming feeling of deja-vu, the same suave soothing sounds and dulcet tones of the duskily debonair Louise McVey and the Cracks in the Concrete emanating from the stage as the last time I visited, their music creating a hypnotic air of calming re-assurance. The venue wasn’t quite as pitch black as last time though, meaning I was able to see your friendly neighbourhood promoter this time, rather than walk straight into him. His Lordship obviously draw from the same pool of music fans as Kid Congo, as I bumped (not literally this time) into many friendly faces around the venue, as well as noticing several of the same good folks of discerning music tastes from Glasgow and its environs in the crowd, and also having an impromptu school re-union – and believe me when I say that wasn’t yesterday (I’ll get you that pint next time Douglas…)

His Lordship seem to like playing Glasgow, this being the third time I’ve witnessed His Lordship’s live extravaganza in a couple of years (you could say four if you count The Pretenders…) so you would be forgiven for thinking there would be an element of being prepared for what James, Kristoffer and Dave were about to serve up.… Read the rest

The Bathers Sirenesque

The Bathers – Sirenesque – Album (of the year?) review

Unassumingly announcing its arrival with solitary and delicately understated piano paired with birdsong in the form of the calming beauty of Culzean, the long-awaited new album from Glasgow’s very own legendary band The Bathers, Sirenesque, then segues smoothly into its majestic title track. When Chris Thomson’s well-kent, instantly recognisable and richly expressive smooth brogue kicks in it almost induces tears, such is the effect of his highly emotive style, a welcome sound that rolls back the years both with a sense of ebullience, but also tinged with an element of melancholia, the song has an element of Blackstar Bowie to it, before the guitar break takes over and the sense of hopeful buoyancy takes the lead once more.… Read the rest

Carla J. Easton – Sugar Honey – album review

Sugar Honey is the follow up to the last solo long player from Carla J. Easton from three years ago, Weirdo. With the interim period including an album release from her Poster Paints project with ex-Frightened Rabbit, Simon Liddell, time has been good to Carla in terms of creativity, Sugar Honey is a continuation of that seam of inspired creativity, the album a formidable statement of intent on several fronts.

Sugar Honey is a bit of a double-edged sword. The album title describes Carla’s music perfectly, a flawless blend of her sugary sweet synth/keys-based pop melodies, that never become mawkish and cloying, matched with her unique honey-coated voice, dripping with that feeling of familiar warming vocal hug, and the addition of a heavy measure of both melancholy and ire… Which is the other side of the double-edged sword.  … Read the rest

Scorpio Leisure Give Us Some Space

Scorpio Leisure – Give Us Some Space – single review

Ramrock Records have given us a well-deserved re-release of the previously independent offering, the divinely hypnotic Give Us Some Space single from the supreme talents of what can only be described as post-punk supergroup in the form of the wonderful Scorpio Leisure. Taking their name from the now defunct and infamous Edinburgh “attraction”, the band’s live nucleus of drummer Russell Burn (The Fire Engines/Win), bassist extraordinaire Colin J Whitson (Gin Goblins/Boots for Dancing/Voicex), guitarists Mungo Carswell (The Solid Bond) and Ricky Maymi (Brain Jonestown Massacre) with the delectable Hettie Noir on simmering sultry vocals is bolstered on the single by further post-punk luminaries in the form of Malcolm Ross (Josef K/Orange Juice) and Gareth Sager (The Pop Group/Rip, Rig & Panic).… Read the rest

Junk Pups – Interview and Live Review (The Hug and Pint 17th August ’23)

(All Photos Courtesy of Chris Hogge Photography)

Last week, Junk Pups played their second headline gig, this time at The Hug and Pint as part of the Endless Summer series of gigs. Having been meaning to do so for a long time, I finally managed to catch up with the band (and Angel!) after they’d sound-checked ahead of the gig.

The Ginger Quiff: So, just a bit of background first and foremost, how did the four of you get together as a band.

Jack: During the first lockdown I messaged Dylan, I knew Dylan from a thing we did in school called Behind the Noise, I knew they played bass, and I was just like.

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